“Harmony is not always exact”.

Sarah is a British Ceramic Artist who works with the physical, mindful and repetitive process of making in clay.  

“There is a preoccupation in my work with the immanence of the feminine and the results, or lessons, of that experience….each piece is a meditation on this emergent experience.”

Sarah works to build national opportunities to exhibit as a woman artist, both in gallery settings and in crossover spaces.  As an educator and speaker she produces community projects and clay workshops, inviting participants to enjoy the power of their own creative endeavour.  

Her work is also available at specialist ceramics exhibitors and direct from her studio (by appointment please).  Please also visit her online collection at vinterior.

Check the blog for latest news and events and visit the About and Educator pages of this site for more about her practice.  Please feel free to call her or make contact to arrange a visit.

Click on each image to show details and prices for Sarah’s ceramics.
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I began making following a life-threatening accident.  My recovery was both an internal and external one, integrating the two to reach wholeness.  I was introduced to the practice of meditation which continues to be a daily practice of internal observation and stillness.

 “What is personal to me is also reflected in the wide culture;..the growing sense that contemporary female icons in art can now be accepted” (Sandy Brown). 

The place of female art and female artists as been firmly planted by figures such as Sandy Brown and yet a global culture pervades where women are now simultaneously ‘at work’ and ‘at home’.  There is a preoccupation in my work with the immanence of the feminine and the results, or lessons, of that experience.  Each piece of work is a meditation on this emergent experience.

Throwing on the Leach Wheel is a deeply physical and repetitive process, which works as a vehicle to express my relationship with the domestic realm.  My figurative work emerges through a process of mindful touch and exploration, where the outcome is not known.  I believe the ceramics that result to be embodiments of archetypes from my internal narrative, given reach through making.

Barbara Hepworth described herself as an “artist in society”, asserting the role of an artist within their community or wider art world.

As an educator and speaker it is possible to inspire and share the joy of working with clay.  My drive to work in community participation projects and arts for health and wellbeing settings stems from a firm belief in clay and what it can do.  Inviting people to experience the freedom and joy of making is very powerful and builds both individual and community wellbeing.

I have worked on a range of education projects, from small scale drop-in workshops, opportunities for “make and take” in clay, bespoke making workshops combining meditation and relaxation as well as large scale projects with organisations such as Clayground Collective, who invite the public to engage in activities which are “enjoyable, absorbing and meaningful and from which they can learn”. 

I have exhibited at Pangolin London, at the Red Gallery, the Brick Lane Gallery, the Nude Tin Can Gallery, the London Design Festival, with the Society of Designer Craftsmen and in a solo show in their Shoreditch Gallery.  I am working to build national opportunities exhibiting and teaching as a woman artist.